The concept of good and evil is often seen as dualistic.
The novel explores the dualistic nature of human beings.
Her personality is quite dualistic, switching between extremes.
The artist's work reflects a dualistic approach to art and life.
The dualistic nature of the mind-body connection is a complex topic.
The film delves into the dualistic relationship between love and hate.
The dualistic worldview of the character shapes his decisions.
The debate revolves around the dualistic nature of technology and humanity.
The dualistic interpretation of the text leads to different conclusions.
The philosopher proposed a dualistic model of consciousness.
Dickens's London is therefore a dualistic space: a harsh world that is simultaneously filled with wonder and possibility.
Thus Spinoza does not have the dualistic view of reality that Descartes had.
If humans are truly dualistic beings, possessing both a body and soul, what becomes of our disembodied souls after death?
No hint is needed to indicate the moments in history at which the dualistic fiction of a good and an evil god first became possible.
The concept of good and evil is often seen as dualistic.
The novel explores the dualistic nature of human beings.
Her personality is quite dualistic, switching between extremes.
The artist's work reflects a dualistic approach to art and life.
The dualistic nature of the mind-body connection is a complex topic.
The film delves into the dualistic relationship between love and hate.
The dualistic worldview of the character shapes his decisions.
The debate revolves around the dualistic nature of technology and humanity.
The dualistic interpretation of the text leads to different conclusions.
The philosopher proposed a dualistic model of consciousness.
Dickens's London is therefore a dualistic space: a harsh world that is simultaneously filled with wonder and possibility.
Thus Spinoza does not have the dualistic view of reality that Descartes had.
If humans are truly dualistic beings, possessing both a body and soul, what becomes of our disembodied souls after death?
No hint is needed to indicate the moments in history at which the dualistic fiction of a good and an evil god first became possible.
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